Images that are only presented as thumbnails are protected by copyright and are not available for download. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act. The Museum does not warrant that the use of materials displayed on this site will not infringe on the rights of third parties, such as artists or artists' heirs holding the rights to these works. Use of text and images in which VMFA holds the copyright is permitted, with attribution, under the terms and conditions of a Creative Commons License (CC BY-NC).Ĭopyright and other proprietary rights in material on this site may be held by individuals or entities other than or in addition to VMFA. The wounded warrior Telephos holds the baby Orestes hostage at an altar, with Agamemnon and Clytemnestra rushing to save their son.© Virginia Museum of Fine Arts, Richmond, unless otherwise noted. Two Furies flank her, while Jason and a distraught nurse and teacher approach the bodies on the altar below.Ī different tragedy unfolds on the other side of the vase, from Euripides’s Telephos (438 BC). Seeking revenge against her husband Jason, leader of the Argonauts, Medea has just slain their two children. Framed in the center by a halo (recalling her sun god grandfather Helios), the sorceress Medea flies off in a dragon-drawn chariot. The remarkable scene on the front of this vase relates to the famous tragedy Medea, written by Euripides and first produced in Athens in 431 BC.
Near the Policoro Painter (South Italian, Lucanian, active c. Red-Figure Calyx-Krater (Mixing Vessel): Medea in Chariot (A) Telephos with Baby Orestes (B), c.
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